- Sun Aug 30, 2015 11:19 am
#73849
Just browsing through my soundtrack collection and it struck me how so many of them are from horror films. I'm sure a lot of us first got into film music through the works of Carpenter, Goblin, Morricone, etc. Looking at the Death Waltz back catalogue a good two thirds of it is scores from horror films and most of the soundtrack labels springing up seem to specialise in horror scores.
Obviously I'm not saying all great scores are horror ones but it does seem there are a disproportionate amount in "all time best" lists compared to most other genres.
I wonder if this is because a lot of horror films tend to rely less on narrative and more on tone and atmosphere? A lot of horror films have soundtracks that do as much work as the visuals in creating an impact and this is why they become so memorable. You can't really imagine Suspiria, Psycho or Halloween without those soundtracks. They embed themselves in the foreground of the film and drive it forwards.
Curious to know what everybody else thinks.
Obviously I'm not saying all great scores are horror ones but it does seem there are a disproportionate amount in "all time best" lists compared to most other genres.
I wonder if this is because a lot of horror films tend to rely less on narrative and more on tone and atmosphere? A lot of horror films have soundtracks that do as much work as the visuals in creating an impact and this is why they become so memorable. You can't really imagine Suspiria, Psycho or Halloween without those soundtracks. They embed themselves in the foreground of the film and drive it forwards.
Curious to know what everybody else thinks.
Art. Design. Devilry.
http://www.ofstickandbone.co.uk
http://www.ofstickandbone.co.uk
