- Mon Jul 08, 2013 5:33 pm
#2358
The Matt Berry one is superb, and has the best back cover photo I've seen in ages! Really glad it's not as self-consciously 'silly' as his last one was in places, he's really very good at what he does and it provided much of the background to get me into A Field In England (along with Wolf People's Fain - an absolute corker), which is probably why the film freaked me out as much as it did! (especially the commentary when the sound engineer gets involved in a conversation about the Brown Note)
The Night Terrors one is amazing, and not just because of the vinyl itself... every time I hear the word "theramin" I get put in the mindset of schlocky 50s/60s woooOOOoo noises (although as I found out when doing a post on this record, all of those noises in all of those films were the work of pretty much one man), I certainly wasn't expecting it to be played as beautifully as it is here.
The Night Terrors one is amazing, and not just because of the vinyl itself... every time I hear the word "theramin" I get put in the mindset of schlocky 50s/60s woooOOOoo noises (although as I found out when doing a post on this record, all of those noises in all of those films were the work of pretty much one man), I certainly wasn't expecting it to be played as beautifully as it is here.
