Bezulsqy wrote:I am not sure where to put this, so I'll leave it here.
Unfortunately the company I work for has altered their working from home policy and that means I cannot spin as much as I was able to. Hopefully tomorrow a little bit. However, because work is a bit slow at the moment I have time to type these words and check some twitter feeds.
I see @ScoJo and @Mateo sharing the spinning of some brilliant and interesting records (and tapes). Thanks for this. You are making the hole I cannot fill with records even bigger.
Some questions/remarks:
- what is that A Broken Moon Rises album? It is the only album @ScoJo gives an A double (!!!) + Simply because of that extra + I think I need that record.
- 1922: I was on the fence of this because I did not like the movie all that much. I have the feeling I am alone in that regard. But good movie or not, the score is a nice stand alone listen?
- Annihilation: film score of the year? Ok, that went on my to get asap list...
- Red Riding 1980: I have never heard of this. Dickon Hinchliffe? Is that a real name? On my to get list as well...
- James Brown - Slaughter's Big Rip-Off OST: I saw you post this on the board (or my memory is playing tricks). After seeing that cover nothing else needs to be said about that one.
Thanks.
Ah bless ya Ben- hope you get more platter time than you think.
The papa m record is beautiful, depends how much you're into minimal guitar music but David Pajo (Slint) is the real deal and his music always stirs me to the core. Sample first, I'd say.
Annihilation is a great record, but then I loved the film and it's an integral part for me. Stand by me 'score of the year' IMHO.
1922 is one you should definitely sample. It's weird, creaky, disquieting, clever, pretty varied and I love just about everything that Mike Patton touches. Even his weird 'hotel room extreme vocal exercise' thingys!!