Talk about films scores here.

Moderators: lazyben, static14, texasvinyl

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By Hatter313
#83268
@evan good man! I suggest anything by the advisory circle for a good idea of their catologue. It's one of Jon Brooks projects and he has NEVER put out a bad record. The first full length from him on the label is called Other Channels, one of my favorites.
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By Hatter313
#83270
My pleasure...and while I have you here, I was watching in the mouth of madness the other day and the bicycle boy is still one of the creepiest things ever....so thanks for that :)
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By deafmetal
#83471
@Spun - Great to see the Sanguelia 45! The picture sleeve is an odd design anyway with what appears to be the actress from Suspiria being featured? An interesting piece of Fulci/Frizzi history you have there though.

@Tim - Nice vintage Goldsmith. I have not seen that film. Also, The Revenant is beautifully mesmerizing score.

Here were my afternoon spins while working on a project:
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Can't imagine why I'm listening to so much JC...
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By deafmetal
#83474
ImageOff the chain, as they say.

I watched the live band video for Distant Dream on a nice sound system last night, and it managed to raise my already maxed-out excitement level another notch.
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By tim28212
#83477
David has hit the bed already so this is my lineup for tonight

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Dracula
Dracula Prince of Darkness
Dracula Has Risen From the Grave
Hands of the Ripper
Vampire Circus
Taste The Blood of Dracula
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By deafmetal
#83479
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Incredible packaging and presentation by Third Man. The pressing is like black silk to my ears. Quite an interesting listen right after The Thing, and it's providing some cognitive dissonance when comparing the two albums. Morricone's new themes sound dark and menacing to me, and make me want to hear more. The songs and dialogue take me out of the experience though. Still not sure what to make of all this.

Ps - @vi_res - The Maiovvi/Umberto collab is almost *too* good, if that's even possible. I enjoy both the Hook & Pull Gang and the Law Unit versions depending on the mood. Law Unit for the commute!
#83482
@deaf - funnily enough I did pick up the Japanese Suspiria 7-inch from the same seller (at half the price of the Frizzi/Fulci)

^^ Some great spins there chaps - could almost have been taken from my own collection

Here is my other 'catch of the day' from this weekend - grabbed it from my local. Said they had 21 copies, and I was 19th in line. I guess this vaguely qualifies as an 'imagined soundtrack/score'.

From what I've heard of the new album, Johnny Greenwood's soundtrack work is certainly making itself more apparent in the band's output
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Radiohead Spectre vinyl 7 inch.jpg
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By texasvinyl
#83489
I tried to get one this weekend but the guy wouldn't sell me one. Said he has them in stock but street date is Monday. Skully's Records New Orleans. Very small but excellent shop, he stocks Death Waltz, One Way Static, etc.
#83492
texasvinyl wrote:I tried to get one this weekend but the guy wouldn't sell me one. Said he has them in stock but street date is Monday.
Went on sale on Fri 13th in the UK @Tex. Saw on Twitter most stores I follow were just putting them on sale randomly as and when stock arrived, but my local elected to wait until the end of the day when most people had finished work and then it was just how far along the queue outside you were as to whether you were one of the lucky ones. Rocked up roughly 20 mins beforehand and nabbed one so felt pretty fortunate. Wanted that Spectre track on vinyl. ;)
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By Vapormeyer
#83530
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Just listening to this wonderful album. Here's the blurb:

Last year, filmmaker Oliva Wyatt invited Bitchin Bajas to add incidental music to the climatic sounds of her feature-length experimental documentary on the nomadic Moken people, ‘Sailing A Sinking Sea’. This new album release packages the soundtrack LP with a DVD of the film, thus opening several windows to the eternal questions posed on both formats and providing two distinct pieces of art coming from the same source.

‘Sailing A Sinking Sea’ is a feature-length experimental documentary exploring the culture of the Moken people of Burma and Thailand. The Moken are a seafaring community and one of the smallest ethnic minority groups in Asia, traditionally spending eight months out of the year in thatch-roofed wooden boats. Wholly reliant upon the sea, their entire belief system revolves around water.

‘Sailing A Sinking Sea’ weaves a visual and aural tapestry of Moken mythologies and present-day practices. As a viewer you will swim under the sea past fishes and mermaids, sail boats across turquoise waters, land on 13 different islands, step inside sea shanties on stilts, delve into the minds of shamans, become possessed through the worship of sea gods, dance between lovers and emerge drenched in Moken mythology.

Bitchin Bajas were tapped to add to the already-existing raft of water sounds and other field recordings captured in the film. They were shown scenes and with subtle directions from Wyatt, laid down music in the vibe of the environment, making particularly satisfying use of auto-harps in the process. Mark McNeill at Dublab provided a mix compiling film sounds and soundtrack pieces that gave the album an aquatic flow, with waves of water, Moken voices and songs and cascades of autoharp, synth, bells and flute lapping up against each other, producing a sense of time passing in its ultimate way - somehow timelessly; today twined with the epic tale of history and the million forgotten days stretching behind. The sound of the real intermingling with the music of the mind provides a hypnotic, album-length interpolation of the energies of ‘Sinking A Sailing Sea’s incredible images.

Executively produced by Will Oldham, ‘Sinking A Sailing Sea’ was premiered at SXSW in the 2015 Visions Catgory and it went on to receive its international premiere at Hot Docs. It has gone on to be shown a number of festivals including Margaret Mead, BFI London and the Singapore International Film Fest, where it recently won the Audience Choice award.
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