Leviathan. Dir by George P Cosmatos
I thought I had seen this one, there are a bunch of 80's aquatic horror films that I mix up for some odd reason. I definitely have not seen this and really glad I actually watched it. A fucking blast. Great special effects, excellent cast. It's essentially underwater Alien/Aliens which is fine because the cast carries the film.
Skull: A Máscara de Anhangá. Dir by Armando Fonseca & Kapel Furman
This popped up on Shudder last week, I thought the poster looked interesting checked out the trailer on youtube and saw tons of really great special effects and decided to watch it. Well it has tons of really great special effects. That's pretty much it, the plot is a basic outline that never got fleshed out more than, the mask kills lots of people and some one who's family has protected the mask for years must stop it. I can't really recommend it other than if you want to kill 90 minutes with mildly entertaining slasher with cool effects.
Sator. Dir by Jordan Graham
This on the other hand was excellent and I recommend it to any one who likes slow burn creepy films. I'm a sucker for films that create "local legend" type mythology. At first I wasn't sure what to think, there wasn't much talking other than two characters barely audible saying a few things, establishing the environment with big beautiful landscape shots and weird black & white 4:3 flashbacks. A large portion of the film you will be questioning what the fuck is happening or has happened? It's not quite clear what the time line is. Even as the film ends you understand the order of events but there are large gaps in the events that transpired that leave you wondering exactly what unfolded. I don't need to know those things but I thought about them for a while afterwards. This definitely won't be for everyone, I can see it being a very divisive movie but for me everything just clicked. There is some genuinely creepy imagery in here that just lets you stare at it, not jump scares, slow revealing tension. I do have to applaud the filmmaker for actually shooting at night too, this film would not have worked nearly as well as it did if it didn't have pitch black shots with a few low lit lamps. A lot of films will shoot in daytime and slap a dark blue/grey filter on it for it's night shots because it's expensive to shoot at night, it always sticks out like a sore thumb to me.