[EvanCampbell]

That model appears at the end also...great model but as mentioned they needed a soft layer of smoke to diffuse it to give it space and soften. I guess when they shot it outside in a barn all the smoke dispersed so it is great but not real looking.

[static14]

get a plumber down there

[chiefbrody]

Oh, so he wasn't our hero...

[thewaystation]

Don't mention plumbers. Mine will be here in less than seven hours.

[static14]

was that a Spawn fart?

[Little Walter]

He might still be alive . . .

[Dollarhyde]

Wow , that was great. How to do horror on a budget.

[Dollarhyde]

Psycho ref. With the plughole?

[chiefbrody]

True Walter, he might pull through...

[EvanCampbell]

This basement was the effects artists John Dods. John Dods was very influential in the early eighties for east coast effects artists. Always making how to articles in early film magazine cinemagic and fangoria.

[thewaystation]

Again, great sound and interior design. How many lines of dialogue have there been so far, at 11 minutes in? 5?

[soundtracks of fear]

gotta love those cellars!

[EvanCampbell]

all atmosphere with the sound effects

[Dollarhyde]

The interior in the house is brilliant. Score really reminding me of slumber party at the mo

[chiefbrody]

@thewaystation, at least you don't need to listen hard to hear the score! It's practically ALL score.

[thewaystation]

Point taken

[static14]

defaced!

[Dollarhyde]

Boom boom .. Yes!!!

[Little Walter]

I guess he didn't make it . . .

[EvanCampbell]

awesome two layer makeup

[thewaystation]

Privilege to watch this with you, Evan!

[Dollarhyde]

Kimg kong

[EvanCampbell]

aww thanks this is fun!

[static14]

filmmakers seem to have moved on from horror flicks featuring gore/fx obsessed kids in leads. I wish they hadn't

[chiefbrody]

Is this just going to play out like Groundhog Day, but each time it's a different household falling for the same Spawn trick?