- Fri Mar 01, 2019 4:58 pm
#115749
The 7" AA Side, March from A Clockwork Orange (1971), is an arrangement of Beethoven' s rousing Symphony No. 9 in D Minor (fourth movement) and is the first recorded song using a vocoder. Almost ten years later, Carlos was to work with Kubrick again on The Shining (1980). Although Kubrick didn' t use much of the music she composed, sticking instead to the guide tracks for the final cut, the disturbing main theme is by Carlos and her collaborator and friend Rachel Elkind. The Shining - Main Theme on the 7" A side takes as its starting point the Dies Irae from Hector Berlioz' s Requiem (Op5), appropriately taken to new levels of darkness by Carlos and Elkind' s electronic treatment.
deafmetal wrote: ↑Fri Mar 01, 2019 5:15 amhttps://recordstoreday.co.uk/releases/r ... l-elkind/ScoJo wrote: ↑Thu Feb 28, 2019 6:57 pmKubrick 7" (Carlos and Elkind!)Any details on the tracks?
The 7" AA Side, March from A Clockwork Orange (1971), is an arrangement of Beethoven' s rousing Symphony No. 9 in D Minor (fourth movement) and is the first recorded song using a vocoder. Almost ten years later, Carlos was to work with Kubrick again on The Shining (1980). Although Kubrick didn' t use much of the music she composed, sticking instead to the guide tracks for the final cut, the disturbing main theme is by Carlos and her collaborator and friend Rachel Elkind. The Shining - Main Theme on the 7" A side takes as its starting point the Dies Irae from Hector Berlioz' s Requiem (Op5), appropriately taken to new levels of darkness by Carlos and Elkind' s electronic treatment.